Alhambra Antiques Opens New Exhibition to Much Acclaim

Paintings by Asser Saint-Val hang over a vintage composite stag

Olga Granda-Scott stands amidst the work of Eric Besson

After undergoing aesthetic renovations during the spring, the repurposed Alhambra Antiques space in downtown Coral Gables hosted a vernissage on June 16^th with a new look and fresh vibe. A cross between antiques store, art gallery, and cultural space, the “new old” Alhambra Antiques is an intellectually stimulating experience. The current exhibit has been curated to include unparalleled vintage, antique, and select contemporary offerings with innovative creative artists Asser Saint-Val, Eric Besson, and Fiorella Chelini showing selections of their work.

Art collectors, designers, and aficionados gathered at the event to benefit the Vizcaya Museum and Gardens, a charity which has always been dear to the hearts of directors Olga Granda-Scott and Douglas Scott. Attendees included interior designers Jim Murphy, Diane Sepler, and Kevin Gray; Vizcayans president Don Kress, art dealer Marvin Ross Friedman, artist Asser Saint-Val, and celebrity columnist Daisy Olivera.

“The way the space is staged makes walking through the store a mysterious adventure. Humor, wit, and curiosity can all be used to describe the creative vignettes” said attendee Cristina Romney Espinosa. “I’ve come to expect the unexpected every time I visit—as well as a great party!”

As part of the new three artist group exhibition, the surrealist paintings of Asser Saint-Val brought much color and life and were particularly well received. The Haitian artist, who lives and works in Miami and has sold works to important collections including the Rubell family, hesitated before showing his works in a non-traditional gallery space. But once he saw the way they could be juxtaposed with some of the very elements used to create his fictional characters, he loved and appreciated the tension created.

“Asser’s work is a bit of reality spun into a whimsical character which spoke to me when I saw it. I love incorporating humor into my installations, and I felt that he had embodied that sense of blurring the lines between practicality and fiction” explained Olga Granda-Scott. “It is a very exciting process to be able to find interesting work and expose our clients to a new way of living and collecting.”

The exhibition will be on display through August 15^th, when a new roster of artists will be unveiled.

Alhambra (Antiques) Brings New Life to an Old World Space

Alhambra (Antiques) continues to redefine the boundaries of the antiques trade with their latest offering: the design works of contemporary French artist Eric Besson. At a time when many antiques stores are closing their doors, Alhambra (Antiques) continues to take their 20-year venture in ever-expanding directions.

“We don’t offer only antiques,” says Olga Granda-Scott, “my hope is that we offer the unconventional – items and objects of distinction. We appeal to people who have a strong sense of individuality – and of course good taste.”

After undergoing aesthetic renovations during the spring, the repurposed space will open again with a new look and fresh vibe. A cross between antiques store, art gallery, and cultural space, the “new old” Alhambra (Antiques) is an experience not to be missed. Exhibits will be curated to include unparalleled vintage, antique, and select contemporary offerings sprinkled with innovative creative artists who share a similar aesthetic.

The first exhibit, opening on June 16^th, will feature hand-forged furniture by French artist Eric Besson. Mr. Besson works with pieces of industrial repurposed metal creatively mixed with vintage elements. His work has been selected by leading designers for important commercial projects, including the flagship John Varvatos store in New York City. The collection exhibited at Alhambra (Antiques) features furniture works with sleek lines adorned with letters from old printing houses.

Mr. Besson’s work will be exhibited alongside the whimsical sculptural work of Italian artist Fiorella Chelini, the surrealist paintings of Asser Saint Val, and the arrival of a new shipment of antiques from all over Europe.

The New Old Alhambra (Antiques)

Interesting read: An Interview with Richard Wright

I came across this interview a few weeks ago and appreciated the depth of many of Mr. Wright's answers. Here is the entire interview.

No Glass Ceilings: Four Women in the Arts

I haven't written in a while simply because I have not been inspired. I have also been putting together some projects which I will announce in due time. But last night, something happened. I went to a monthly meeting of a group I joined several months ago called "ArtTable." The ArtTable is an association of professional women in the visual arts, founded in NYC but with branches in most major US cities. Last night's meeting was a panel discussion on the brilliant Christo & Jeanne-Claude "Surrounded Islands" installation in Biscayne Bay in 1983. While the work of art was provocative and moving, what was magical for me was to witness four heroines of the early days of the Miami art scene come together to share their amazing experiences with us. The four women were: Paula Harper, Ruth Shack, Helen Kohen, and Margarita Cano (as pictured right to left-note that two women wore hot pink in honor of the installation!).


To give some of you some insight into the event here is how the invitation read:

"Surrounded Islands" was to be a temporary art event, but what transpired during the preparation of the project and what its gorgeous unveiling on Biscayne Bay meant to Miami still reverberates today. The dressing of 11 spoil islands in pink plastic was the catalyst that turned a culturally sleepy town into a vital city, home to art and artists. The panelists for the May ArtTable program, participants and monitors of "Surrounded Islands", will share their memories of the roles played by individual citizens and special interest groups during those contentious days leading to the "live" exhibition portion of their uncommon, common efforts.

Margarita Cano: As head of Art Services at Miami's library system, it was her initiative that gave us the first glimpses of what "Surrounded Islands" might look like when Christo's earliest drawings and sketches of the project were exhibited at Main Library in 1982.

Paula Harper, Ph.D.: Professor of Art History at UM, and the Art Critic at the Miami News during the period under discussion, she is a well-known Christo scholar, familiar with most all the couple's projects about which she has both written and lectured.

Ruth Shack: Recently retired President and CEO of the Dade Community Foundation, she was a Dade County Commissioner from 1976 to 1986, in the "hot seat" during the time the Christo project was the focus of attention from local, state and national governmental friends (she was one) and foes (there were many).

Moderated by Helen L. Kohen. Art Historian, Critic, Consultant to Main Library's Vasari Project [an archive of the visual arts in Miami from 1945 to the present]

I should say that the only thing contrary to my title "No Glass Ceilings" was the brief discussion that at the time of the project, credit was only given to Christo as an artist. His wife and partner, Jeanne-Claude, was president of their corporation, and was the person who made everything happen, but as he was the one behind the drawings, models, etc, he was considered the sole "creator." It was not until 1995, that the couple changed the accreditation of ALL their works to "Christo and Jeanne-Claude," acknowledging that without the logistics, all of their ideas would have remained just that, ideas.
Lastly, I sat next to Dr. Carol Damian, the director of the Frost Museum at FIU, and another pioneer in Miami's art scene. I left inspired by these women, let's just see where that inspiration takes me.